Christian Jankowski, Gillian Wearing, Guy Ben-Ner, Grand Central Art Center, California State University, Fullerton, USA Encounter: The Royal Academy in Asia, Institute of Contemporary Arts Singapore, Singapore, Asia Family Matters: The Family in British Art, Millennium Galleries, Sheffield, Laing Art Gallery, Newcastle Made In Britain: Contemporary Art from the British Council Collection 1980 – 2010, Benaki Museum, Athens, Greece 9th Shanghai Biennale, Shanghai, China, (C) Rxy, Galleria della Molinella, Faenza, Italy The Story of the Government Art Collection, Whitechapel Gallery, London, touring to Birmingham Museum and Art Gallery, and Ulster Museum, Belfast Sounds Like Silence, HMKV: Hartware MedienKunstVerein, Dortmund, Germany 2011 Hints of the outside world, SOMA Contemporary, Waterford City, Ireland The Dwelling Life of Man, Fundació Foto Colectania, Barcelona, Spain Let the Healing Begin, IMA Institute of Modern Art at the Judith Wright Centre of Contemporary Art, Brisbane Made in the UK: Contemporary Art from the Richard Brown Baker Collection, Museum of Art, Rhode Island School of Design, Rhode Island, USA, (C) Moving Portraits, De La Warr Pavilion, Bexhill-on- 108 sea, East Sussex Robert Mapplethorpe: Night Work: Curated by Scissor Sisters, Alison Jacques Gallery, London Role Models - Role Playing, Museum der Moderne Salzburg, Salzburg Vitrine, part of White Night arts festival, Brighton, UK Why I Never Became a Dancer, Sammlung Goetz im Haus der Kunst, München, (C) Family Matters: The Family in British Art, Norwich Castle Museum & Art Gallery (touring) 2010 Auto-Kino, Temporäre Kunsthalle Berlin, Germany, (C) Aware: Art Fashion Identity, GSK Contemporary, Royal Academy of Arts, London, (C) CUE; Artists’ Videos, Vancouver Art Gallery, Vancouver, Canada The Future Demands Your Participation: Contemporary Art from the British Council Collection, Minsheng Art Museum, Shanghai Haunted: Contemporary Photography / Video / Performance, Solomon R. Guggenheim Museum, New York, touring to Guggenheim Museum, Bilbao Kurt, Seattle Art Museum, Seattle, USA La Fuerza de la Palabra, Guadalajara, Mexico Lemaitre collection, Museo de Arte de Lima (MALI), Lima, Peru Made In Britain: Contemporary Art from the British Council Collection 1980 – 2010, Suzchou Museum, China, touring to various venues in China Niet Normaal, Beurs van Berlage, Amsterdam, Netherlands The Original Copy: Photography of Sculpture, 1839 to Today, Museum of Modern Art, New York Party!, The New Art Gallery Walsall, Walsall, UK Peeping Tom, curated by Keith Coventry, Vegas, London, touring to Kunsthal KaDe Amersfoort, The Netherlands (2011) Skin Fruit: Dakis Joannou Collection, (curated by Jeff Koons), New Museum, New York Weatherspoon Art Museum, University of North Carolina, North Carolina Rewind: Selected Works from the MCA Collection, 1970’s to 1990’s, Museum of Contemporary Art Chicago The Talent Show, Walker Art Center, Minneapolis, USA Post Monument: XIV Biennale Internazionale di Scultura di Carrara, Carrara, Italy Solo Publications since 2010 Publicaciones individuales desde 2010 2015 Gillian Wearing, IVAM Institut Valencià d’Art Modern, Generalitat, Valencia 2012 Gillian Wearing, Whitechapel Gallery and Ridinghouse, London Awards since 2010 / Premios desde 2010 2015 Honorary Fellow, University of the Arts London 2014 Nominated for The Human Rights Art Award Nominated for The Vincent Award 2011 OBE for contribution to the arts Bibliography since 2010 Bibliografía desde 2010 2015 Barnicoat, Becky, “Before They Were Famous: Art Stars on Their Final Degree Shows”, theguardian.com, 23 June 2015 Eler, Alicia, “Gillian Wearing’s Masked Confessions”, Hyperallergic.com, 14 January 2015 Espejo, Bea, Gillian Wearing “Hablo de lo que esta debajo de la superficie de las cosas”, El Cultural, 18 September 2015 Gioni, Massimiliano, The Great Mother, Skira and Fondazione Nicola Trussardi, Milan, 2015 Muller, Robert-Jan, “The Vincent Award 2014” Gemeentemuseum, artforum.com/picks, January 2015 Murray Brown, Griselda, “White Cube to Black Box”, FT Weekend, 16-17 May 2015, p.13 Searle, Adrian, “Me me meme: artists’ selfies paint the full spectrum of self-obsession”, theguardian.com, 23 January 2015 Yerebakan, O.C, “Los Angeles – Gillian Wearing: ‘everyone’ at Regen Projects”, artobserved.com, 24 January 2015 2014 Aspden, Peter, “People Person”, FT Weekend Magazine, Financial Times, 19 July 2014 Beanland, Christopher, “New lease of life: How disused car parks are being transformed into cultural centres”, independent.co.uk, 27 October 2014 Brown, Graeme, “New statue unveiled outside Library of Birmingham”, birminghampost. co.uk, 30 October 2014 Brown, Mark, “Modern family: mums and sons immortalised in bronze”, The Guardian, 30 October 2014, p.13 Brown, Mark, “Ordinary Birmingham family to be immortalised in city centre statue”, theguardian.com, 29 October 2014 Brown, Mark, “Gillian Wearing digs up her past for tilt at Vincent Award”, theguardian.com, 8 September 2014 Connolly, Maeve, TV Museum, Contemporary Art and The Age of Television, Intellect, Bristol, UK Cook, William, “Why Gillian Wearing made a statue of two single mothers”, newstatesman. com, 30 October 2014 Dolan, Andy & Osborne, Lucy, “Two single mums (one pregnant), their children - and not a dad in sight. Birmingham’s £100k vision of the modern British family”, Daily Mail, 31 October 2014, p.3 Gerard, Liz, “Real families come in all shapes and sizes”, sub-scribe.com, 02 November 2014 Hodge, Susie, How to Look at Art, Tate publishing, London, 2014 Jones, Jonathan, “The top 10 drinkers in art”, theguardian.com, 1 April 2014 Lewis, Helen, “All public art is a political statement - the best marks a rich changing society”, theguardian.com/commentisfree, 2 November 2014 Mason, Shana Beth, “GILLIAN WEARING We Are Here”, brooklynrail.com, 18 December 2014 McNulty, Bernadette, “Gillian Wearing redefines
Gillian Wearing
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