Els set pecats capitals, 1971
(Seven is the Kabbalistic number also applied to lunar phases, the seas, the days of the week or the cardinal virtues).
Work from the period in which the reference to the painting is maintained, through which the extension of some component is expanded.
Painting, indeed, but invading the space from there.
The frame of the canvas takes a human form. Firstly, placed on the wall and, here, linked together, it makes up a screen arranged in space as an installation.
Duplicity and vibrant colours typical of pop. Eclectic language: graphics, conceptual or advertising gestures.
The ensemble maintains the individual aspect of the series, but alludes to us as members of a community.