Zineb Sedira (Paris, 1963) explores the landscape of Algeria in a very warm, personal way, linking personal experiences with historical or political aspects while at the same time concentrating especially on questions concerning the desire of many of the country’s citizens to move away, to leave.

The show, curated by Baptiste Brun, comprises a meticulous selection of about two hundred works, including paintings, drawings, sculptures and engravings, together with many documents and objects, with which we are able to offer the public an approach to the work of Jean Dubuffet (Le Havre, 1901–Paris, 1985)...

Exceptionally, for the first time in Spain, an exhibition of a major group of works from this crucial creative period in Dutch art is being made available by the Kunstmuseum Den Haag, which received contributions from the IVAM Collection for the show that it devoted to Julio González in 2017.

A new intervention on the IVAM façade, in this case by the artist Carmen Calvo (Valencia, 1950). The work, bearing the title The heavens are sewn, is a portrait of an anonymous, timeless woman through whom the artist wishes to focus on gender equality and equality in the workplace.

The exhibition places the works of Julio González (Barcelona, 1876 - Paris, 1942) right at the centre of the aesthetic, political and social debate of his time, seeking to generate a discourse in which all such aspects come together using the artwork and documents that the IVAM has about him and other Avant-garde artists.

This new look at the IVAM Collection will set out from one of its central nuclei, Pop Art, especially British Pop Art and the Spanish forms of realism, in order to expand the concept of realism to which they were related.

Ignacio Pinazo (Valencia, 1849 – Godella, 1916) opened up a new field for the treatment of naturalism, light and investigation.