The IVAM has incorporated a new line of artistic activity focusing on specific proposals by various artists which reinforce the museum’s programme of exhibitions by activating areas that have been considered merely functional.

The shift that took place in sculpture in the twentieth century was a response to the new narrative values that appeared in the visual arts and that incorporated advances in science and culture in their proposals.

The production of Robert Frank (Switzerland, 1924) is a continuous search that leads us to such a strategies accumulation playing with the image.

We live times of change, of transformation. These moments involve the transition from one state to another, and they are not free from uncertainty. As present travellers we build new realities, we know the origin place, but not necessarily the destination. Infinite transition is perhaps the arrival point.

The exhibition that the IVAM is devoting to the Valencian artist José Iranzo Almonazid, known artistically as Anzo (Utiel, 1931 – Valencia, 2006) is an acclamation of the work of one of the most original and still unknown figures on the Spanish art scene.

This exhibition aims to analyse abstract art practices developed in the post-war period to the present day, from those most sublime to the most ideological proposals, from the object to the concept, trying to unravel their meanings and contradictions, examining their techniques and procedures.

Fanzination! shows a careful selection of fanzines comic from the collection donated by Alvaro Pons. It offers a visual tour throughout the history of this type of artistic manifestation, focusing particularly on the Valencian fanzine and the fanzine produced today in our country, ...

This exhibition explores the realities of the Arab world since the nineties, seen through the different perspectives of female artists. Also there are works included on reflecting the construction of femininity by men.