Effect of a Brusquely Applied Force, directed by the artist Pepe Miralles (Xàbia, 1959), is a research project that aims to establish a genealogy that comprises the oral accounts, private experiences and historical memory of the impact that HIV and AIDS ...

Tour of the exhibition “Pepe Miralles. ELISA” by Pepe Miralles, curator of the exhibition.

The conference Beyond the Museum will focus on present and future relationships of museums with the agents and spaces that form the artistic ecosystem, and on promoting their integration in contemporary society.

Guided tours to exhibitions by Pilar Martínez, BA Art History

In 2018–2019 the IVAM and the Plácido Domingo Advanced Study Centre (Palau de les Arts Reina Sofía) are continuing the series of musical performances that began in 2015, offering one performance a month from October 2018 to June 2019.

The weight of the ashes, the specific project that Anna Malagrida (Barcelona, 1970) has developed for the IVAM, is the outcome of her interest in the festival of Fallas as a phenomenon of cultural identity, developed through observation of something that is on the fringe of the festival: its ashes.

The weight of the ashes, the specific project that Anna Malagrida (Barcelona, 1970) has developed for the IVAM, is the outcome of her interest in the festival of Fallas as a phenomenon of cultural identity, developed through observation of something that is on the fringe of the festival: its ashes.

Art projects or archives generated by artists are a reality in Contemporary art.

Guided tours to exhibitions by Pilar Martínez, BA Art History

18 July 1976, coinciding with the fortieth anniversary of the coup d’état that marked the beginning of the Civil War, the exhibition Spain. Artistic Avant-Garde and Social Reality. 1936–1976 was inaugurated in the International Pavilion in the gardens of the Biennale di Venezia.

The second edition of the Testing the City activity, conducted by tehe architect David Estal, urges to alter the concept of the humanisation of the city, usually simplified to urban mobility. The fact is that the life of people in the city is not just a physical matter.

In this fourth edition we will show practices connected with the theme: SKIN
Practices in charge of
Aitana Cordero, artist and choreographer
Beatriz Fernández, dancer,choreographer and curator
María Cabeza de Vaca, dancer and choreographer

18 July 1976, coinciding with the fortieth anniversary of the coup d’état that marked the beginning of the Civil War, the exhibition Spain. Artistic Avant-Garde and Social Reality. 1936–1976 was inaugurated in the International Pavilion in the gardens of the Biennale di Venezia.

The aim of second edition of the Chair of Artistic Studies,  will consist in encouraging this reflection about the life of images both in the world of art and in social life, including imaginary.