The work of Guillermo Ros (Vinalesa, 1988) centres on the investigation of the relationship between contemporary systemic violence, artistic production and a personal “lore” manifested in a testimonial role.

This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, ...

This exhibition attempts to reconstruct the various historical and creative contexts to which the poster designer, photomontage artist, muralist and writer Josep Renau was forced to adapt in the course of his fascinating life. The show principally investigates two of the least known historical periods within his artistic production, his periods of

Renau and The American Way of Life is a documentary exhibition that complements the one dedicated to Renau’s exile in Gallery 7.

Mechanical and Technical Imaginaries will gather together artists in the IVAM collection with an interest not only in designing and constructing mechanisms but also in creating imaginaries that reflect the spirit of the industrial and scientific culture around them, such as Alexander Calder, Marcel Duchamp, Lászó Peri, Man Ray, Moholy-Nagy, Boris I

With infinite nuances, the circle and its three-dimensional extension, the sphere, are a part of nature and of every culture in which nature retains its magical transcendence. Both symbolise perfection and its effects, like the cosmic heavens or their cyclical movements.