‘This exhibition will examine the changes that took place in sexuality and morality in Europe in the period between the two world wars. During that time, one can observe the impact of conservatism on laws and the persistence of religious mores.

48 publicaciones is the name I’ve given to a study of the contemporary art library a friend of mine has at home to which he has generously given me access. One day I told him that I would like to make a selection of his art books for a suite of paintings reproducing their covers and some pencil drawings of aspects related to their content.

The painting installation invites the visitor to cohabit with the painting, conditioning the current state of the action in function of their determination, their time and their passage through the space, whether it be by observing it, stepping on it, spoiling it or, simply, leaving their prints.

In November 2002, the UN Committee on Economic, Social and Cultural Rights adopted the General Comment no. 15 on the Right to Water. Article I.1 declares that “the human right to water is indispensable for leading a life in human dignity”. General Comment no. 15 also says that “the human right to water entitles everyone to sufficient, safe, ...

This is the first major solo show by Gülsün Karamustafa (Ankara, 1946) in Spain. And an excellent opportunity to familiarize ourselves with the work of arguably the most internationally acclaimed living Turkish artist and one of the most unique voices in contemporary art.

The What is Our Home? exhibition grew out of an interest in striking up a dialogue, in forging a connection and affinity between the collections of IVAM and of MAXXI, Rome.

The exhibition places the works of Julio González (Barcelona, 1876 - Paris, 1942) right at the centre of the aesthetic, political and social debate of his time, seeking to generate a discourse in which all such aspects come together using the artwork and documents that the IVAM has about him and other Avant-garde artists.